There were thousands of objects in Margo's house, each containing its own story and sometimes the story of something else attached to it. For a while I knew every broom, pail, crucifix, cotton sheet, shelf, cushion, radio set, picture frame in that house. I knew where some of the dishes came from, three generations back, and which button had been ripped from what shirt and which won at a card game. I could find the worn aluminum spoon whose missing particles had attached themselves to the roofs of our palate over time. I knew where to store the soup pot and where to find the extra stick of butter.
I knew I had paid 70 francs for the kicthecn clock I purchased for Margo's birthday (the equivalent of about $10.00, an enormous sum it seemed to me in 1974). The clock bore the picture of an older woman making dinner. Even though the woman didn't look like her (she never wore her hair in a bun), Margo knew that the clock meant I lover her more than anything in the world. It was still easy to love her that way at thirteen.
She hung the clock on the wall above the kitchen cabinet. I would face it whenever I sat at the dining room table. Margo would sit in that same spot in the afternoons, sipping coffee and knitting, so that the clock would be held in our mutual gaze.